︎ ‘You had to tell the children the truth’: intergenerational bonds, backlashes, secrets and alliances in Veronique Olmi’s Daughters Beyond Command, Lucy Writers, 2022


︎ Is Mother Dead by Vigdis Hjorth review, Lucy Writers, 2022

︎ The Essay, The Object and The Remix: de-centering the human in The Opposite of a Person by Lieke Marsman,
Lucy Writers, 2022


︎ Research, Revolution and Re-enactment in ‘Spectacles without Objects’ (2016) by The International Institute for Important Items, History as Memory Panel, Association for Art History Annual Conference, London, 2022

︎ Interview with author Loranne Vella: ‘This idea of a room, of a home, is very important, as the body is the first home’, Lucy Writers, 2022

︎ Bringing the body to the text in Loranne Vella’s ‘what will it take for me to leave’, Lucy Writers, 2022

︎ Enter the dream state: alternative subjectivities in the occult performances of Elise Müller, The Debutante, 2021

︎ Gargoyles by Harriet Mercer: a lyrical exploration of the space between life and death, Lucy Writers, 2021

︎ In conversation with award-winning novelist Niven Govinden: ‘I believe in the autonomy of the people that I write’, Lucy Writers, 2021
︎ Diary of a Film by Niven Govinden – a ‘skin to eye’ portrait of queer love, cinema and la dolce vita
, Lucy Writers, 2021


︎ Ben Caro on performative masculinity, activating objects, and excavating history,
Decorating Dissidence (13), 2021


︎ Writing with: Hélène, Julia, and Virginia
, Lucy Writers, 2021


︎ Translation is a place of resting, of being in common,
Lucy Writers, 2020


︎ Postcards in Isolation 8: Guerrilla Girls, The Advantages of Being a Woman Artist, 1988
, Lucy Writers, 2020



︎ The Monstrous Woman Goes Grey: Film, Performance and Feminism
, Euroacademia: 8th Forum of Critical Studies, Venice, 2020


︎
Looking at Women, Neon Eye, 2019